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What Do You Do When "What do you do?" No Longer Fits

  • sandrajvecchi
  • May 22
  • 7 min read


I can still remember the first time it happened — a cocktail party, maybe six weeks after I retired. A perfectly pleasant stranger extended a hand, smiled like people do at these things, and casually lobbed the one question I’d always had a ready answer for — until that night.


“So, what do you do?”

And I hesitated.


Not a graceful, pensive pause. Several long, awkward seconds that felt, in the moment, like a minor eternity. And then, apparently deciding that something — anything — was better than nothing, I blurted out the first thing that came to mind: “I’m retired!”


The prefrontal cortex — ever the editor — immediately began working on a retraction. Because the word had barely left my mouth before I felt it: the smallness of it. I’m retired didn’t say anything about me. It just said I’d stopped. It was the human equivalent of an “Out of Office” reply — technically accurate, completely uninformative, and somehow leaving the other person with less to work with than before they’d asked.


For the first time in my adult life, I didn’t have a ready answer. I’d had one my entire career — a crisp, confident, identity-in-a-box answer that told the world exactly who I was and where I stood. VP of this. Director of that. Founder of the other thing. Parent. Provider. Caretaker. The one who held it all together.


But I’d just handed back the last of those titles. And in that pause — which, I assure you, was far more noticeable to me than to anyone else in that room — a much bigger question quietly cleared its throat.


Who am I, exactly, if not what I do?


What I’ve come to understand — looking back on that moment and all the ones that followed — is that the question had nothing to do with whether I’d retired. It had everything to do with the fact that I had arrived at the Third Act. And the Third Act plays by entirely different rules.


The First Two Acts Were Written for Me


My Act One — childhood through young adulthood — was scripted almost entirely by others. Family. Culture. Expectation. I didn’t choose my ZIP code, my religion, or the version of success I was handed and told to chase.


Act Two — building, achieving, becoming — was partly mine, but still largely shaped by roles. Career builder. Leader. Parent. Provider. Caretaker. I performed them well. Some of them brilliantly. I earned every line.


But here’s what I couldn’t see from inside Act Two: those roles were so consuming, so defining, so loud… that the real me had learned to be very, very quiet.


And then, suddenly, the noise stopped. The titles faded. My kids were grown. My career was wound. And in the silence that followed, a question surfaced that I’d never really had to answer before.


Who am I when the script runs out?


I know now that wasn’t a crisis. That was the invitation. The Third Act — my Third Act — was the only one that hadn’t been written yet. And that, I came to decide, was the most thrilling and terrifying thing imaginable.


The Title Was Never the Whole Story


Here’s an uncomfortable truth I had to sit with: I’d let my title do a lot of my identity work for me.


Not because I was shallow. Because I was capable. Because I had built things — teams, companies, reputations, a life. The work was real. The impact was real. And being known for it felt… earned.


But Arthur Brooks, in From Strength to Strength, names what I had sensed but rarely said out loud — a “hidden source of anguish” he found to be nearly universal among people who have done well in their careers. He calls it the “striver’s curse.” And his prescription was quietly devastating: “You are not your job.”


When I first read that, I winced. And I took that wince seriously. (Turns out a wince is just your gut trying to get your attention. Mine had apparently been waiting a while.)


The Question Beneath the Question


That question stung not because of the cocktail party, but because of something older and deeper — the story I’d been telling about myself for decades, and what happens when that story needs a completely new chapter.


Richard Leider, in Who Do You Want to Be When You Grow Old?, makes a distinction that stopped me cold. He writes that the roles we play — parent, executive, leader, caretaker — are important, but they are not our life’s purpose. Purpose, he says, is not a role or a goal. It is “who we bring to what we do.”


Not what I do. Who I bring to it.


That reframe changed everything for me. All those years of showing up — the early mornings, the hard calls, the times I held things together when they wanted to fall apart — that wasn’t the title speaking. That was me. And that person didn’t disappear when the business cards were put away.


The Wardrobe That No Longer Fit


I remember the afternoon I stood in my closet — not as a metaphor, but as a person who needed to clear some space — holding things I hadn’t worn in years. Tailored pants. Pencil skirts. Blazers. High-heeled pumps — yeah, those posture-destroying, corn-building instruments of professional ambition. And then, tucked in the back like a relic from another civilization: two pairs of pantyhose. (I know. I KNOW. I can’t explain why I still had them. I can barely explain why I ever wore them.) A whole life that fit perfectly once and now felt like it belonged to someone else.


Standing there holding a pencil skirt in one hand and a pair of pantyhose in the other — like some kind of archaeologist of my own ambition — I asked myself: Is any of this still me? Was it ever entirely me?


The answer I eventually found was: partly. The drive was me. The standards were me. The relationships I built, the problems I solved, the person who showed up even when it was hard — very much me. But the title? The title was just the hanger.


Bronnie Ware spent years at the bedsides of the dying, listening to what they wished they’d done differently. The most common regret — across cultures, careers, and life circumstances — was this: “I wish I’d had the courage to live a life true to myself, not the life others expected of me.”


Not I wish I’d worked harder. Not I wish I’d climbed higher. The regret was about authenticity. About the self that got buried under decades of expectation — including the expectations we placed on ourselves.


I thought about that a lot in those first months. And I decided I wasn’t willing to let that be my story.


So Who Was I, Then?


Figuring out who I was in the Third Act turned out not to be about subtraction. It wasn’t about shedding everything I’d been and starting from scratch like some kind of sixty-something blank slate. (And frankly, who has the energy for that?)


It was about excavation. Because somewhere underneath all those years of performing a role, the real me had been patiently waiting. The me that had opinions before I’d learned to edit them. The me that wanted things before I’d learned to need things. The me that existed before the business cards were printed.


Some days I uncovered something that surprised me. Some days I just moved dirt. (Some days I made a pot of coffee and called it research.) But I kept going — because what was buried down there turned out to be more interesting than any title I’d ever held.


And I’ll be honest with you: none of this happened overnight. Finding out who I actually am — beneath the titles, the roles, the noise — took time. It took sitting with uncomfortable questions long enough to hear real answers. In fact, it took a crisis. But that’s a story for another day.


The question that became my compass was simple: What makes my heart sing? Not what used to. Not what’s supposed to. Right now, today — what makes me want to get out of bed with a roar?


Your Invitation Into This Question


I share this story because I suspect some version of it is yours, too.


Maybe you’ve stood in your own version of that cocktail party, wine glass in hand, and felt that hesitation. Maybe you’ve cleaned out an office, cleared a closet, handed back a badge — and stood there holding something that once defined you, wondering quietly:


Is this still me? Was it ever entirely me?


If any of that landed — if you felt even a flicker of recognition — then you’re already asking the right question. And you are not alone in asking it.


We are a community of people who built things, led things, held it all together — and who eventually found ourselves standing at the edge of the Third Act, wondering what comes next. People brave enough to stop pretending the old answer still fits. People willing to pick up a shovel and excavate.


So here’s what I invite you to consider:


Awaken. What possibilities have you been too busy — or too scared — to look at directly? What stirs something in you that you’ve learned to dismiss as impractical, or selfish, or simply “too late”?


Reflect. If your calendar and your checkbook suddenly had nothing to say about how you spent your time — what would actually matter? What version of yourself got quietly shelved somewhere in Act Two that deserves to be picked back up?


Reimagine. Who do you want to be in the Third Act — not what do you want to do, but who do you want to become? What does the masterpiece look like when you’re the one writing it?


Act. Because this is the part where it gets real. Knowing isn’t enough. Reflecting isn’t enough. At some point, you have to move — with intention, with courage, and with the full understanding that this is not a dress rehearsal.


The Better Answer


When someone asks me now — as they still do — “What do you do?” I have choices in a way I never did before.


I could give the old answer. Safe, familiar, instantly understood.


Or I can say something true.


“Right now? I’m writing the best act of my life — and it’s turning out to be the most interesting thing I’ve ever worked on.”


The people who light up at that answer? Those are my people. The ones secretly asking the same question, hoping someone will tell them it’s okay to ask it out loud.


It is. More than okay.


We’re in this together — this strange, exhilarating, wide-open question of Who am I now? And the fact that you’re asking it? That’s not a crisis.


That’s the beginning of your Unscripted.

 

 
 
 

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